Featured image reads Using Bass Guitar Frequencies in Electronic Music

As an electronic music producer, the blending of acoustic instruments with digital soundscapes can elevate your tracks to new heights. Incorporating what is primarily a rock’n’roll instrument such as the base guitar widens it’s versatility further. The bass adds warmth and depth that can’t always be replicated by digital means. However, the bass guitar can be used and processed with effects to make it a part of your electronic soundscapes. In this post, we look at bass guitar frequencies and explain how this instrument can be incorporated into the digital world.

Key Takeaways

By the end of this post, you will…

Understanding EQ and Bass Guitar Frequencies

EQ is your sculpting tool. It allows you to boost, cut, or attenuate specific frequency ranges of sound.

The base guitar, while being rich in harmonics, occupies a broad spectrum. However, it is most influential in the low to mid-range frequencies. Its fundamental frequencies (the lowest tones produced by each note) range from about 41 Hz (E1) to 392 Hz (G3), extending up through harmonics into the higher frequencies.

The Foundation of the Bass Guitar Frequencies: Low-End EQ

40-80 Hz: Sub-Bass
This range is the heart of the bass guitar’s power, providing the sub-bass thump that can be felt as much as heard. In electronic music, balancing this range is crucial. Too much in the way of sub-bass frequencies can muddy your mix, especially if you have kick drums or bass synths occupying the same space. To combat the muddiness, it is a good idea to use a high-pass filter to gently roll off frequencies below 40 Hz to eliminate rumble and focus on a clean sub-bass presence.

80-200 Hz: Bass Foundation
This range gives your base guitar its foundational character, providing warmth and body. In a dense electronic mix, it is too easy for these frequencies to compete with other elements. Using careful attenuation can help carve out a space for your bass guitar frequencies without losing its essence. Therefore, boosting the frequencies around 100 Hz can add warmth, but do so sparingly to avoid muddiness.

Mid-Range Magic: Carving Clarity

200-500 Hz: Lower Mids


This frequency range often contains the “mud” of the base guitar. It is where the unnecessary boominess resides. Therefore, it is a good idea to cut the bass guitar frequencies here a bit. This can help clear up your mix, allowing other instruments to breathe. However, the key is subtlety; too much cut can make your base guitar sound hollow.

500-1,000 Hz: Mids


Here lies the clarity and punch of the base guitar, crucial for making it discernible in a busy electronic mix. A slight boost can enhance definition. This, in turn, helps the notes to pop out without overshadowing synths or pads which also occupy this spectrum.

1,000-2,500 Hz: Upper Mids


Boosting in this area can add presence to your base guitar. This ensures that it cuts through even in the most crowded of mixes. It’s especially useful when you want your base lines to be more pronounced or when the base play a leading role in the track’s melody or rhythm.

High-End Detail and Air

2,500 Hz and Up: Treble and Air


While not the primary focus for base guitar, the upper frequencies add both texture and detail to the sound. A gentle boost can enhance pick sounds, finger noises, and the overall brightness. Therefore, it adds life to your base guitar tracks. Too much of an increase in this area can introduce harshness.

Practical Application of Bass Guitar in Electronic Music

When integrating bass guitar into your electronic productions, consider the overall sonic landscape:

Start With a Clean Slate:

Begin with flat EQ settings and listen to how the base guitar interacts with your track. Identify any frequency conflicts with other elements, like kick drums, bass synths, or low-end pads.

Use EQ Sparingly

Remember, the EQ is about balance and not about making every frequency of the base guitar heard. Focus on enhancing the strengths and reducing conflicts within the mix. Also, remember that the base in a track is just as appealing if felt as well as heard. Youth culture wouldn’t be cruising down the road with the stero pumping out all manner of bass frequencies if it was simply about what could be heard. Therefore, use your bass guitar frequencies with this objective.

Complementary EQ

If your track has a prominent bass synth line, you should consider carving out a complementary space for the base guitar. This can be achieved by cutting frequencies in the base that are emphasized by the synth. The synth and the bass can complement each other very well with a mixture of bass frequencies. This technique, known as “frequency pocketing,” as it ensures that both bass guitar frequencies and synth frequencies can coexist without competing.

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Dynamic EQ and Side-Chaining

It is simple to create a side-chaining effect in your DAW. Personally, I use Duck by Devious Machines For moments when the base guitar and other low-end elements must shine simultaneously, consider using dynamic EQ or side-chain compression. These tools can automatically adjust frequencies or volume, ensuring clarity and punch when needed.

Harmonics Are Your Friend

Enhancing the harmonic bass guitar frequencies can help it sit well in an electronic mix, adding richness without overwhelming the low end. Experiment with slight boosts in the upper mid-range to find the sweet spot.

Experiment and Trust Your Ears

There’s no one-size-fits-all EQ settings of base guitar frequencies in electronic music. Each track is unique, and what works for one song may not work for another. Trust your ears and make adjustments based on what the mix needs.

    Conclusion – Mastering Bass Guitar Frequencies in Electronic Music Production

    Although, not considered a staple instrument of electronic music, there is nothing against experimenting with the sound of bass guitar in your electronic music productions. It can complement the sounds generated by synthesizers such as pads, baselines and much more besides. However, please take note of the warnings presented in this post. If the producer is not careful with the bass guitar frequencies, they can be muddy against the sound of deeper drums and bass synthesis. Therefore, it is a good idea to mould and shape the sounds with EQ.

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